Fear and Improv: Part 1

Now, I will be the first to tell you, I am not funny. I mean, my friends think I am funny. Or at least they laugh when I say things sometimes. I also, alongside most people on this planet, get a colony of butterflies in my stomach when I am met with public speaking.

At Four Fin, a regular question our CEO asks us is, “What is something you did this month that made you uncomfortable?” A few months ago I decided to really test that and I signed up for an Intro to Improv class. The last time I was on a stage was probably 4th grade when I dyed my hair red to play Annie in “Annie” [side note: “temporary” fire-red hair dye is not so temporary for blonde haired folks]. Flash forward 16 years, I am back to my natural hair color and sweating profusely in my Prius before my first improv class. Fifteen minutes of forced slow breathing and a non-stop internal monologue, I was almost ready. I did a power pose, lied to myself that I would be a NATURAL, and opened my car door. Safe to say, I was not a natural.

The Lessons:

Lesson One: Improv is hard. Some people are quick-witted and natural on stage but most of us are not and the only thing that helps is practice. I had this realization on my first class when I started sputtering out gnomish in response to my scene partner’s question.

Lesson Two: I can speak gnomish!

Lesson Three: Improv is essentially preschool for adults. We play games, pretend we are flying to the moon on a secret mission and, most importantly, act ridiculous without caring that we look pretty stupid.

So, every Wednesday night for the past few months, I have been going back to preschool. Turns out going to preschool as an adult is a lot harder than it is as a 5-year-old. As an adult, I am out of practice playing make-believe. Luckily, our improv coach has a few tools to help the incompetent adult dive back into the land of imagination. The most important thing in the improv toolbox is the phrase: Yes, and. Let’s say your scene partner opens the scene with “Let’s build a beautiful house!” You would respond “Yes and… let’s build this beautiful house out of pencils!” Yes and…  supports your partner, accepts the reality of the scene they want to create and builds on that reality. Now, that is beautiful! Yes, and… also requires listening. This is something I discovered when I started speaking gnomish on my first day of class. You see, I was so in my own head trying to figure out what to respond, I forgot to listen to what my scene partner was saying.

Yes, and … is something that directly translates into life in the real world and into my career at Four Fin. As a branding and design studio, an essential part of our job is listening. Our clients are often responsible for the vision of their company’s overall brand, campaign or targeted marketing initiative (i.e., CEOs, Marketing Directors, etc.). We value the practice of genuinely listening and saying “yes, and…” to our clients’ ideas. It is our job to bring their vision to life with an authentic brand and identity. That requires listening, building upon the ideas and dreams of our clients, and translating that dream into reality. And that, my friends, is beautiful.

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Chiao Huang

Chiao Huang

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Crafting unique experiences through design.

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Emma O'Regan

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